You spot a dead pigeon on the pavement outside Lagos Island restaurant and pick it up, cupping your hands in the shape of a heart to hold its body. You unbutton your coat just enough to put the bird inside and carry it home.
You find an old shoebox, line it with newspaper and soft tissue and lay the pigeon inside, being careful not to disturb its still-folded wings. You wrap the box with purple crepe paper and tie a black ribbon around it to keep the lid in place.
The hole you dig in your garden is deep enough to fox the foxes – unearthing already-planted bulbs and resting perennials. You bury the box with the pigeon inside.
And when you have finished you sit indoors thinking about all the pigeons you’ve ever seen
pale-pink stepping promenading head-bobbing blinking pecking shitting shifting flexing wings flying flocking perching
streaked-white-concrete-grey feathers painted the colour of urban winter
mauve-green caught by the sun in spring shimmering
East London doves.
For feral pigeons everywhere.